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Abstract of Gwen Meyer NEAVE, 2019

 Item — Box: 1
Identifier: H00590002

Abstract

GWEN MEYER NEAVE

Interviewee: Gwen Meyer Neave

Abstractor: Robyn Powley

Track 1

00:14 Introduction of Gwen and explanation of her home’s meaning – Describes

03:25 First two years in hospital with DOUBLE PNEUMONIA – raised by mother’s friend – separate life from siblings and parents – Explains

04:59 Thirteen siblings with five still alive – names them and where they are living – made contact after marriage – Explains

06:41 Legal guardian – EMMY MAY ROSS – EDENDALE - Deaconess in the Presbyterian Church, NUHAKA – In charge of a hostel for Maori girls – Describes

07:41 Life of a deaconess – Describes

08:14 Moved to DUNEDIN for schooling at 17

08:44 Influences of ‘AUNTY MAY’ on her life – PRESBYTERIAN influences – Describes

10:01 Sent to DUNEDIN and QUEEN’S HIGH, UNIVERSITY education and holidays – Recalls

12:23 TURAKINA MAORI GIRLS’ COLLEGE compares with her DUNEDIN schooling – Recalls

14:06 Trip to STEWART ISLAND, FERNDALE GUEST HOUSE - Met future husband GARY - Recalls

15:00 End of Track 1

TRACK 2

00:01 Reactions and feelings when seeing Stewart Island for the first time, MARRIAGE – Describes

02:15 Challenges of living on the Island, NO ELECTRICITY, GENERATORS – Describes

03:44 Challenges of married life, learning to cook, FERNDALE, MOTHER-IN-LAW – Discussed

05:18 Children – TWINS – SCHOOL involvement – BROWNIES – LOCAL POLITICS – HORSESHOE BAY – CHOIRS – WOMEN’S INSTITUTE Singing competitions – Describes

07:49 Men’s involvement – OPERATIC GROUP – OWEN GERRARD – Drama workshop 1981 – Describes

09:40 Benefits of group involvement in productions – Recalls

10:18 HOUSE CONCERTS – SOUTHERN REGIONAL ARTS COUNCIL – hosting visiting artists programme involvement – Describes

12:52 Local school children access to great artists – Discusses

13:32 ALISON BROAD personal and community friendship – brought women speakers to the Island – REAP CEO – Discusses

15:00 End of Track 2

TRACK 3

00:45 Son JOHN’S involvement with the PLAYERS – Discusses

01:45 1996 – ARTS COUNCIL – MAORI ARTS BOARD – Many opportunities – Describes

03:06 Practicalities of this busy life – 1990s house bought in INVERCARGILL – Discusses

04:39 ARTS ADVOCATE – opportunities – Discusses

06:26 Involvement of the ISLAND MEN in the PLAYERS – Discusses

08:38 COMMUNITY TRUST OF SOUTHLAND and TOI RAKIURA ARTS TRUST involvement and help – Discusses

10:33 Lots of time passes while a window is opened, which is followed by a discussion on what PHOTO GWEN has of herself that would be suitable for BECS

15:00 End of Track 3

TRACK 4

00:34 Position in the COMMUNITY TRUST 1992 – SOUTHLAND SAVINGS BANK – WESTPAC – STOCK BROKING – Describes

03:30 Networks across SOUTHLAND broadened - SOUTHLAND DISTRICT COUNCIL- Describes

04:12 DAN DAVIN FOUNDATION – his life and achievements – LITERARY AWARD - Describes

08:02 COMMUNITY TRUST GROUP – NORMAN JONES FOUNDATION – his life and achievements – SECOND CHANCE EDUCATION – Explains

10:19 How are people are appointed to trusts – Explains

11:46 Passion for BALLET – Explains

12:48 GARY HARRIS – Director of the Ballet Company – Explains

14:39 MAORI influence/relevance to her LIFE CHOICES

15:00 End of Track 4

TRACK 5

00:23 Attending TURAKINA MAORI GIRLS COLLEGE – KAPA HAKA – Church choral history – introduction of music and the arts desire to make things happen – therapeutic benefits - Describes 03:27 ‘A gift of performance’ - Describes

04:33 Who do you feel you are first and foremost – a Stewart Islander or a Southlander? – Describes and Explains

07:56 “Absolutely awesome!” – Description of life on Stewart Island – Explains

End of Track 5

Dates

  • 2019

Conditions Governing Access

Access to oral history recordings is via the Archives Research Room only. We are unable to provide access to this material remotely. Where access agreements allow, abstracts, audio extracts and photographs will be accessible online.

Conditions Governing Use

This material is copyright of the Invercargill City Libraries and Archives. In accordance with agreements held with interviewees, it is strictly prohibited to reproduce (copy) oral history recordings, abstracts, audio extracts or photographs without prior written consent. Applications for the reproduction of these recordings and associated materials, in whole or part, must be made in writing to the Southland Oral History Project Co-ordinator, c/o Invercargill City Libraries and Archives.

Extent

From the Record Group: 1 folder(s)

Language of Materials

English

Creator

  • From the Record Group: Wadds, Lee (Interviewer, Person)

Repository Details

Part of the Southland Oral History Project Repository