Abstract of Veda May KELLOCK, 2021
Item — Box: 2
Identifier: H02080002
Abstract
Veda May Kellock
Interviewer: Gill Poplar
Abstracter: Amanda Corrigan
Interview date: 09 July 2014 Track 1
00:00 Interview identification
00:51 VEDA MAY KELLOCK born in 1931
00:59 Interviewer confirms interviewee’s understanding of conditions and restrictions of recording agreement
01:43 Self born in DUNEDIN – lived there for first 8 years – in 1939 family moved to GORE – FATHER was a SINGER and CONDUCTOR – employed to take CHOIRS to COUNTRY AREAS of SOUTHLAND by W.D.F.F. [Women's Division New Zealand Federated Farmers] – this work took father from GORE up to ATHOL – WAIKAIA – south to MORTON MAINS and EDENDALE
02:40 In 1943 the family moved to INVERCARGILL – then to DRUMMOND – WINTON - THORNBURY – father started 25 CHOIRS in the COUNTRY AREAS – people still tell self they were “in one of your father’s CHOIRS”
03:20 Mother was very musical – fine ACCOMPANIST who taught PIANO and SINGING – self felt privileged to be brought up in a musical family – almost an obsession for self to become a SINGER
03:59 At age of 14 self was doing very well at PIANO – talked to father about giving up PIANO to focus on SINGING – in those days you obeyed your father – by age 17 self had achieved an ACTL ASSOSCIATESHIP DIPLOMA from TRINITY COLLEGE LONDON – father then allowed self to think about SINGING seriously – by this stage self had finished secondary school – thinking of future
04:56 UNIVERSITY taught only THEORY no PRACTICAL involved in training – self stayed at home and played for father’s SINGING STUDENTS – self worked seriously on PIANO and SINGING – by age 20 self had achieved 5 DIPLOMAS – LTCL LICENTIATE OF TRINITY COLLEGE LONDON – top of TRINITY COLLEGE in both PIANO and SINGING – LRCM LICENTIATE of the Royal CONSERVATORY of MUSIC of the ROYAL SCHOOLS of MUSIC – four years later awarded FELLOWSHIP of TRINITY COLLEGE LONDON
05:52 After three years of TEACHING self became a REGISTERED TEACHER – TAUGHT PIANO and SINGING for 40 years – last 26 years specialised in VOICE PRODUCTION – found SINGING very rewarding and challenging – more emotion through the VOICE
06:49 Self had many successful STUDENTS over the years – plays ACCOMPANIMENT for students – Explains
07:14 Very few SINGING TEACHERS coming on – self trained REBECCA RYAN who had been overseas PERFORMING – now back in INVERCARGILL and TEACHING – great for the future
07:41 Discusses what qualities make a good TEACHER – treating people as individuals – building rapport – enjoyment – in MUSIC the emotion must be felt – an ACCOMPANIST must support the SINGER – Explains
09:14 A performer’s presence is very important when PERFORMING – Explains
09:54 Self has enjoyed being a SOLOIST – particularly ORATORIO which includes MESSIAH SOLOS 10:15 CONDUCTING has been a challenge for self – enjoyed these opportunities
10:30 FAMILY atmosphere helped self – Recalls playing DUETS with mother – age 14 playing GIOACHINO ANTONIO ROSSINI’S “WILLIAM TELL OVERTURE” - with mother at various CONCERTS – GEORGE FRIDERIC HANDEL’S “THE ARRIVAL OF THE QUEEN OF SHEBA”
11:07 CONDUCTING was greatly helped when self was employed by the EDUCATION BOARD under an ADULT EDUCATION SCHEME to CONDUCT CHOIRS – following up from what father did originally
11:31 Recalls at an early age travelling to WINTON to start a CHOIR – all other CHOIRS had DISBANDED – a lot of the SINGERS had come from HEDGEHOPE – DRUMMOND – other areas where father had CHOIRS – very quickly built up a CHOIR of 60 SINGERS – had a better CHOIR in WINTON than there was a CHORAL SOCIETY in INVERCARGILL – self CONDUCTED MESSIAH – self did not perform solos – wonderful to have that number of SINGERS – many men too
12:25 Had another CHOIR at OTATARA – had 40 or 50 SINGERS
12:33 Self had done a lot of VOLUNTARY WORK over the years – a highlight being the WOMEN’S CLUB – where self PERFORMED in late teens – self has been member for 50 years – within the MUSIC CIRCLE of the club – self has seven SENIOR STUDENTS – four are outstanding PERFORMERS – who contribute to the club’s MONTHLY CONCERTS – the top three performers are JULIANA BAXTER – who has a degree from UNIVERSITY of OTAGO – beautiful SINGER – APRIL FISHER – GLENDA WHITE – both very good INDIVIDUAL SOLOISTS – sing DUETS beautifully together – all in their early fifties and continue to improve
15:00 Track ends
TRACK 5
00:20 Continues discussing how skills can continue to improve with age – at age 83 self’s skills as an ACCOMPANIST have improved – Explains
01:01 Self became a REGISTERED TEACHER in 1951 – has served 55 years on the COMMITTEE for REGISTERED TEACHERS – PRESIDENT in 1961 and 1962 – and again 1981 and 1982
01:27 Had a recent CONCERT at the SOUTHLAND MUSEUM – had three STUDENTS PERFORM at – self played ACCOMPANIMENT
01:41 About 25 years ago there was nothing for the SINGING TEACHERS – NEW ZEALAND SINGING TEACHERS ASSOCIATION formed – self was on the FIRST COUNCIL for seven years – self went to meetings in WELLINGTON – these were arranged around a MOBIL SONG QUEST or OPERA got to know teachers from around the country
02:34 Quotes from a citation – My “vocal and accompanying skills have been widely sought by various clubs and organisations, and for my services as an official [?] accompanist for the Caeli [?] Society.” Self made patron for its inception 43 years ago – in charge of live membership and organised all musical items – CAELI [?] SOCIETY now DISBANDED due to lack of people to organise – happening with a lot of CLUBS now
03:18 Self was MUSIC MISTRESS of SOUTHLAND GIRLS HIGH SCHOOL for a number of years – a great challenge – there were 600 girls in the school then – took them for SINGING SESSIONS for forty minutes – while staff had a COMMITTEE MEETING – someone on the PIANO while self had control over all the girls – couldn’t do it today because young people have changed
03:54 PERFORMED as a VOCALIST and ACCOMPANIST for the STUDIO RECITALS for RADIO 4YZ for over 45 years – at age 17 self became a SOLOIST for RADIO 4YZ – after 35 years LOCAL BROADCASTING finished – through those years self kept up three RECITALS a year – some uniformity among them – Explains
05:02 For 25 years of that time self had own STUDIO RECITALS – and ACCOMPANIED for five or six SENIOR STUDENTS’ STUDIO RECITALS
05:26 Interviewer comments “You must be a very good organiser. How did you organise all these things?”
05:35 Did not know how self managed to organise all these things – people today say they haven’t got time – because they have a small family – at age 29 when PRESIDENT of the REGISTERED TEACHERS - self had three little girls aged three, five and seven -– always put FAMILY first
06:23 Involved as a NEW ZEALAND ADJUDICATOR for 35 years – ADJUDICATING for COMPETITIONS all over the country
06:53 Recalls first time ADJUDICATING in OAMARU – had 400 ITEMS to ADJUDICATE in four days – fortunately self was familiar with a lot of the MUSIC – was able to mostly listen and observe PERFORMER’S or COMPETITOR’S PRESENCE during the PERFORMANCE – Explains
07:43 Self loved ADJUDICATING – had to have a clear conscience – would say – “I can’t place everybody, but this is what I’m looking for” – have to know what ADJUDICATOR is looking for Explains
08:20 People kept saying – “I wish we could have you down here” [INVERCARGILL - SOUTHLAND] to ADJUDICATE – self couldn’t as a lot were own STUDENTS
08:33 From age 11 self was a PIANO PERFORMER in COMPETITIONS – from age 17 was a SINGING PERFORMER – from age 23 or 24 was a TEACHER PRESENTING STUDENTS for COMPETITION – still presenting STUDENTS 72 years later
09:30 Details HONOURS RECEIVED – In 1998 self was AWARDED a CELEBRATION OF SOUTHLAND ’98 MEDALLION – “As an appreciation and acknowledgement of outstanding achievements which have brought recognition to Southland” – in 1999 became a FELLOW of the INSTITUTE of REGISTERED MUSIC TEACHERS of NEW ZEALAND - “For her inspiring contribution to music and the community over the past 51 years, the Southland Branch is very pleased and proud present Veda Kellock for election as a Fellow of the Institute of Registered Music Teachers of New Zealand” – quite a prestigious award
10:37 In 2004 self was AWARDED a CIVIC AWARD – by MAYOR of INVERCARGILL TIM SHADBOLT – for VOLUNTARY SERVICES to the COMMUNITY
11:25 Describes the aims of TEACHING – “you don’t just teach people to sing” - likens SINGING to ALLOCUTION – “Good singing is through an extension of your speech, because without the vowel you cannot sing” – Explains
13:04 Details HIGHLIGHTS of MUSICAL CAREER – with own FAMILY - husband JOHN KELLOCK is SCOTTISH - has a beautiful TENOR VOICE – a very valued TENOR A CAPELLA CHOIR for 30 years – and in FIRST CHURCH CHOIR – and other CHOIRS self has CONDUCTED – since husband has retired - have had time to SING DUETS together – have travelled to SCOTLAND together ENTERTAINING GROUPS
14:05 TRACK ENDS
TRACK 6
00:00 Continues describing HIGHLIGHTS of MUSICAL CAREER - ENTERTAINING PROBUS CLUBS and ROTARIANS [ROTARY CLUB MEMBERS] with husband JOHN KELLOCK – would have slides on screen of SCOTLAND – during screening self and husband would SING a SOLO each or a DUET when certain slides appeared – it was very popular – selves PERFORMED in GORE – QUEENSTOWN – WINTON – all the INVERCARGILL CLUBS – it was very special to be able to do that with husband
00:52 FAMILY very musical as well –daughter GLYNN in DUNEDIN SINGS in the DUNEDIN CITY CHOIR – daughter SUSAN is very musical – outstanding STUDENT – has both ATCL ASSOCIATE of TRINITY COLLEGE LONDON – and LCTL LICENTIATE of TRINITY COLLEGE LONDON in SINGING – now has two CHOIRS of her own in QUEENSTOWN – one CHOIR presents CONCERTS at the THOMAS BROWN GALLERY – and is a very successful TEACHER – sought after as a SOLOIST
02:21 Reflects on daughter’s and other former students’ success – has been great for self that it has carried onto the next generation – of the family SUSAN is the one who has extended herself – and REBECCA RYAN TEACHING in INVERCARGILL – and a STUDENT in DUBAI who taught in ARAB COUNTRIES – students all over the world still keep in touch
03:31 Focusing on SOUTHLAND – former STUDENT JULIANA and daughter SUSAN – superb on DUETS – two of self’s TOP STUDENTS
03:56 Self would do the same again if had to live life over again – for 25 years self has CONDUCTED the CHOIR at FIRST CHURCH – when first went to the CHURCH - had eight in the CHOIR – self took over and built up to 25 – more mature people have passed on or are not singing there now – lost some good voices
05:03 Self feels strongly that the emotion of what you do is important – doesn’t matter how good you are as a SINGER or PIANIST – ‘if you haven’t got the emotion and the passion there, you don’t get that rapport with the audience” – “you’re touching peoples’ souls, and you must feel uplifted, music will uplift you” – self feels have been given a God given talent to share with people
06:21 Self was brought up within the CHURCH and the faith – had a great background of MUSIC in the family – self believes our lives are planned – “but, you’ve got to be prepared to do something about it yourself, it doesn’t just happen” – some people could do more
07:13 Recalls being VICE PRESIDENT of TRAVEL CLUB asked to speak about travels – self had worried about talking in front of people – before self’s days as an ADJUDICATOR – part of self-development – self could have said “no” – self could have said “no I won’t do this” [interview] – “but we must take on challenges at every stage of life if we can”
08:07 Recalls upbringing and struggling with shyness – self was to be seen and not heard – when there were visitors – you sat and listened – you didn’t interject or say anything – self was extremely shy – when self first started SINGING – self would gulp in the middle of words from being so nervous – self would say now to a student who was the same – “you’re not extending your vowel” – no one told self that
09:05 Self decided earlier in life had to develop own TEACHING METHOD – had to be own person and prove self was a teacher in own right – become an individual - had not been encouraged to be confident within self – wasn’t given much praise – self gives a lot of praise
10:28 Self reflects – a lot of it is the SCOTTISH thing – SCOTTISH people are conservative – you’re not meant to be any better than anybody else – TALL POPPY – self has never elevated self above people – everyone is equal
11:23 Interviewer: You’re a tall poppy
11:30 Self gets great feedback from STUDENTS and EX-STUDENTS – self is learning all the time
12:28 It was a great challenge to take all the PIANO EXAMS – four hours of practice a day – two hours a day from 5 o’clock in the morning – and two hours later in the day – did that for three or four years to get the PIANO DIPLOMAS
13:30 Interviewer comments: From a shy person you have become a very confident person, confident enough to lead other women. Many women in your generation have not got that confidence.
14:01 Suppression as a young person could have been a contributing factor – not given a lot of confidence as a child even at age 17 or 18
14:58 Interviewer askes how they were affected by the GREAT DEPRESSION
15:00 TRACK ENDS
TRACK 7
00:00 Self was not really affected by the GREAT DEPRESSION or WORLD WAR II – family lived well – when family moved to INVERCARGILL – paternal GRANDFATHER was on his own – family bought a beautiful two-storey home – large enough for them all – and for a MUSIC STUDIO as well
00:59 Describes the property – a quarter of the half acre property was the home – another quarter was the vegetable garden – grandfather was a wonderful gardener
01:18 Details grandfather’s routine – every morning after breakfast grandfather would do the dishes – then out to the vegetable garden – then come in for morning tea and for lunch family had midday dinner – grandfather would do the dishes – then go upstairs shower and change – in summer he would go off to BOWLS with friends – it was a lovely atmosphere grandfather SIMPSON was a lovely man – three grandparents that self was close to - were a great example to self of home life – very fond memories of them
02:21 Comments on the FUTURE of MUSIC in SOUTHLAND – self sees MUSIC developing in a different way to when self was young - with SINGING there are not the people interested in learning CLASSICAL MUSIC – finds this sad – “they don’t want to do EXAMS” – haven’t got the MUSICAL SKILLS to do the exams – expensive fees to sit exams – to sit a FELLOWSHIP is $1500 to enter – self and students enjoy doing ANDREW LLOYD WEBBER MUSIC - three students mentioned earlier do a lot of CLASSICAL MUSIC and singing in languages – perform in CONCERTS at the WINDSOR CLUB – “other than that in the CONCERT SOUTH where do you sing that type of music” – unfortunately a lot of the young people are into singers like LORDE – doesn’t understand it – “young people want to get up and just yell into a microphone”
04:19 This is the same in the schools as well – self has been into schools playing for their EXAMS – self ACCOMPANIES the class – self’s student might be the only one singing a CLASSICAL solo
04:39 There are wonderful BRASS BANDS in SOUTHLAND – SOUTHLAND GIRLS HIGH and JAMES HARGEST COLLEGE – most of the secondary schools have strong MUSIC areas – SOUTHLAND GIRLS HIGH have a very good CHOIR – have been invited to SING up in AUCKLAND took part in the BIG SING – VERDON COLLEGE has very good CHOIR – A CAPPELLA CHOIR does very good concerts – there is the odd good thing – but not what it was in self’s day – “because our music teachers are diminishing” – no young ones coming on – only REBECCA RYAN teaching singing – there are three teachers including self around same age still teaching – not any great numbers just a few pupils – the scene isn’t what it was
06:18 The UNIVERSITY CENTRES have the crème of students – we lose all our good STUDENTS to UNIVERSITY – self has mature students that are constantly improving – self feels very blessed to have this talent and can use it to help people
06:56 Interview ends
Interviewer: Gill Poplar
Abstracter: Amanda Corrigan
Interview date: 09 July 2014 Track 1
00:00 Interview identification
00:51 VEDA MAY KELLOCK born in 1931
00:59 Interviewer confirms interviewee’s understanding of conditions and restrictions of recording agreement
01:43 Self born in DUNEDIN – lived there for first 8 years – in 1939 family moved to GORE – FATHER was a SINGER and CONDUCTOR – employed to take CHOIRS to COUNTRY AREAS of SOUTHLAND by W.D.F.F. [Women's Division New Zealand Federated Farmers] – this work took father from GORE up to ATHOL – WAIKAIA – south to MORTON MAINS and EDENDALE
02:40 In 1943 the family moved to INVERCARGILL – then to DRUMMOND – WINTON - THORNBURY – father started 25 CHOIRS in the COUNTRY AREAS – people still tell self they were “in one of your father’s CHOIRS”
03:20 Mother was very musical – fine ACCOMPANIST who taught PIANO and SINGING – self felt privileged to be brought up in a musical family – almost an obsession for self to become a SINGER
03:59 At age of 14 self was doing very well at PIANO – talked to father about giving up PIANO to focus on SINGING – in those days you obeyed your father – by age 17 self had achieved an ACTL ASSOSCIATESHIP DIPLOMA from TRINITY COLLEGE LONDON – father then allowed self to think about SINGING seriously – by this stage self had finished secondary school – thinking of future
04:56 UNIVERSITY taught only THEORY no PRACTICAL involved in training – self stayed at home and played for father’s SINGING STUDENTS – self worked seriously on PIANO and SINGING – by age 20 self had achieved 5 DIPLOMAS – LTCL LICENTIATE OF TRINITY COLLEGE LONDON – top of TRINITY COLLEGE in both PIANO and SINGING – LRCM LICENTIATE of the Royal CONSERVATORY of MUSIC of the ROYAL SCHOOLS of MUSIC – four years later awarded FELLOWSHIP of TRINITY COLLEGE LONDON
05:52 After three years of TEACHING self became a REGISTERED TEACHER – TAUGHT PIANO and SINGING for 40 years – last 26 years specialised in VOICE PRODUCTION – found SINGING very rewarding and challenging – more emotion through the VOICE
06:49 Self had many successful STUDENTS over the years – plays ACCOMPANIMENT for students – Explains
07:14 Very few SINGING TEACHERS coming on – self trained REBECCA RYAN who had been overseas PERFORMING – now back in INVERCARGILL and TEACHING – great for the future
07:41 Discusses what qualities make a good TEACHER – treating people as individuals – building rapport – enjoyment – in MUSIC the emotion must be felt – an ACCOMPANIST must support the SINGER – Explains
09:14 A performer’s presence is very important when PERFORMING – Explains
09:54 Self has enjoyed being a SOLOIST – particularly ORATORIO which includes MESSIAH SOLOS 10:15 CONDUCTING has been a challenge for self – enjoyed these opportunities
10:30 FAMILY atmosphere helped self – Recalls playing DUETS with mother – age 14 playing GIOACHINO ANTONIO ROSSINI’S “WILLIAM TELL OVERTURE” - with mother at various CONCERTS – GEORGE FRIDERIC HANDEL’S “THE ARRIVAL OF THE QUEEN OF SHEBA”
11:07 CONDUCTING was greatly helped when self was employed by the EDUCATION BOARD under an ADULT EDUCATION SCHEME to CONDUCT CHOIRS – following up from what father did originally
11:31 Recalls at an early age travelling to WINTON to start a CHOIR – all other CHOIRS had DISBANDED – a lot of the SINGERS had come from HEDGEHOPE – DRUMMOND – other areas where father had CHOIRS – very quickly built up a CHOIR of 60 SINGERS – had a better CHOIR in WINTON than there was a CHORAL SOCIETY in INVERCARGILL – self CONDUCTED MESSIAH – self did not perform solos – wonderful to have that number of SINGERS – many men too
12:25 Had another CHOIR at OTATARA – had 40 or 50 SINGERS
12:33 Self had done a lot of VOLUNTARY WORK over the years – a highlight being the WOMEN’S CLUB – where self PERFORMED in late teens – self has been member for 50 years – within the MUSIC CIRCLE of the club – self has seven SENIOR STUDENTS – four are outstanding PERFORMERS – who contribute to the club’s MONTHLY CONCERTS – the top three performers are JULIANA BAXTER – who has a degree from UNIVERSITY of OTAGO – beautiful SINGER – APRIL FISHER – GLENDA WHITE – both very good INDIVIDUAL SOLOISTS – sing DUETS beautifully together – all in their early fifties and continue to improve
15:00 Track ends
TRACK 5
00:20 Continues discussing how skills can continue to improve with age – at age 83 self’s skills as an ACCOMPANIST have improved – Explains
01:01 Self became a REGISTERED TEACHER in 1951 – has served 55 years on the COMMITTEE for REGISTERED TEACHERS – PRESIDENT in 1961 and 1962 – and again 1981 and 1982
01:27 Had a recent CONCERT at the SOUTHLAND MUSEUM – had three STUDENTS PERFORM at – self played ACCOMPANIMENT
01:41 About 25 years ago there was nothing for the SINGING TEACHERS – NEW ZEALAND SINGING TEACHERS ASSOCIATION formed – self was on the FIRST COUNCIL for seven years – self went to meetings in WELLINGTON – these were arranged around a MOBIL SONG QUEST or OPERA got to know teachers from around the country
02:34 Quotes from a citation – My “vocal and accompanying skills have been widely sought by various clubs and organisations, and for my services as an official [?] accompanist for the Caeli [?] Society.” Self made patron for its inception 43 years ago – in charge of live membership and organised all musical items – CAELI [?] SOCIETY now DISBANDED due to lack of people to organise – happening with a lot of CLUBS now
03:18 Self was MUSIC MISTRESS of SOUTHLAND GIRLS HIGH SCHOOL for a number of years – a great challenge – there were 600 girls in the school then – took them for SINGING SESSIONS for forty minutes – while staff had a COMMITTEE MEETING – someone on the PIANO while self had control over all the girls – couldn’t do it today because young people have changed
03:54 PERFORMED as a VOCALIST and ACCOMPANIST for the STUDIO RECITALS for RADIO 4YZ for over 45 years – at age 17 self became a SOLOIST for RADIO 4YZ – after 35 years LOCAL BROADCASTING finished – through those years self kept up three RECITALS a year – some uniformity among them – Explains
05:02 For 25 years of that time self had own STUDIO RECITALS – and ACCOMPANIED for five or six SENIOR STUDENTS’ STUDIO RECITALS
05:26 Interviewer comments “You must be a very good organiser. How did you organise all these things?”
05:35 Did not know how self managed to organise all these things – people today say they haven’t got time – because they have a small family – at age 29 when PRESIDENT of the REGISTERED TEACHERS - self had three little girls aged three, five and seven -– always put FAMILY first
06:23 Involved as a NEW ZEALAND ADJUDICATOR for 35 years – ADJUDICATING for COMPETITIONS all over the country
06:53 Recalls first time ADJUDICATING in OAMARU – had 400 ITEMS to ADJUDICATE in four days – fortunately self was familiar with a lot of the MUSIC – was able to mostly listen and observe PERFORMER’S or COMPETITOR’S PRESENCE during the PERFORMANCE – Explains
07:43 Self loved ADJUDICATING – had to have a clear conscience – would say – “I can’t place everybody, but this is what I’m looking for” – have to know what ADJUDICATOR is looking for Explains
08:20 People kept saying – “I wish we could have you down here” [INVERCARGILL - SOUTHLAND] to ADJUDICATE – self couldn’t as a lot were own STUDENTS
08:33 From age 11 self was a PIANO PERFORMER in COMPETITIONS – from age 17 was a SINGING PERFORMER – from age 23 or 24 was a TEACHER PRESENTING STUDENTS for COMPETITION – still presenting STUDENTS 72 years later
09:30 Details HONOURS RECEIVED – In 1998 self was AWARDED a CELEBRATION OF SOUTHLAND ’98 MEDALLION – “As an appreciation and acknowledgement of outstanding achievements which have brought recognition to Southland” – in 1999 became a FELLOW of the INSTITUTE of REGISTERED MUSIC TEACHERS of NEW ZEALAND - “For her inspiring contribution to music and the community over the past 51 years, the Southland Branch is very pleased and proud present Veda Kellock for election as a Fellow of the Institute of Registered Music Teachers of New Zealand” – quite a prestigious award
10:37 In 2004 self was AWARDED a CIVIC AWARD – by MAYOR of INVERCARGILL TIM SHADBOLT – for VOLUNTARY SERVICES to the COMMUNITY
11:25 Describes the aims of TEACHING – “you don’t just teach people to sing” - likens SINGING to ALLOCUTION – “Good singing is through an extension of your speech, because without the vowel you cannot sing” – Explains
13:04 Details HIGHLIGHTS of MUSICAL CAREER – with own FAMILY - husband JOHN KELLOCK is SCOTTISH - has a beautiful TENOR VOICE – a very valued TENOR A CAPELLA CHOIR for 30 years – and in FIRST CHURCH CHOIR – and other CHOIRS self has CONDUCTED – since husband has retired - have had time to SING DUETS together – have travelled to SCOTLAND together ENTERTAINING GROUPS
14:05 TRACK ENDS
TRACK 6
00:00 Continues describing HIGHLIGHTS of MUSICAL CAREER - ENTERTAINING PROBUS CLUBS and ROTARIANS [ROTARY CLUB MEMBERS] with husband JOHN KELLOCK – would have slides on screen of SCOTLAND – during screening self and husband would SING a SOLO each or a DUET when certain slides appeared – it was very popular – selves PERFORMED in GORE – QUEENSTOWN – WINTON – all the INVERCARGILL CLUBS – it was very special to be able to do that with husband
00:52 FAMILY very musical as well –daughter GLYNN in DUNEDIN SINGS in the DUNEDIN CITY CHOIR – daughter SUSAN is very musical – outstanding STUDENT – has both ATCL ASSOCIATE of TRINITY COLLEGE LONDON – and LCTL LICENTIATE of TRINITY COLLEGE LONDON in SINGING – now has two CHOIRS of her own in QUEENSTOWN – one CHOIR presents CONCERTS at the THOMAS BROWN GALLERY – and is a very successful TEACHER – sought after as a SOLOIST
02:21 Reflects on daughter’s and other former students’ success – has been great for self that it has carried onto the next generation – of the family SUSAN is the one who has extended herself – and REBECCA RYAN TEACHING in INVERCARGILL – and a STUDENT in DUBAI who taught in ARAB COUNTRIES – students all over the world still keep in touch
03:31 Focusing on SOUTHLAND – former STUDENT JULIANA and daughter SUSAN – superb on DUETS – two of self’s TOP STUDENTS
03:56 Self would do the same again if had to live life over again – for 25 years self has CONDUCTED the CHOIR at FIRST CHURCH – when first went to the CHURCH - had eight in the CHOIR – self took over and built up to 25 – more mature people have passed on or are not singing there now – lost some good voices
05:03 Self feels strongly that the emotion of what you do is important – doesn’t matter how good you are as a SINGER or PIANIST – ‘if you haven’t got the emotion and the passion there, you don’t get that rapport with the audience” – “you’re touching peoples’ souls, and you must feel uplifted, music will uplift you” – self feels have been given a God given talent to share with people
06:21 Self was brought up within the CHURCH and the faith – had a great background of MUSIC in the family – self believes our lives are planned – “but, you’ve got to be prepared to do something about it yourself, it doesn’t just happen” – some people could do more
07:13 Recalls being VICE PRESIDENT of TRAVEL CLUB asked to speak about travels – self had worried about talking in front of people – before self’s days as an ADJUDICATOR – part of self-development – self could have said “no” – self could have said “no I won’t do this” [interview] – “but we must take on challenges at every stage of life if we can”
08:07 Recalls upbringing and struggling with shyness – self was to be seen and not heard – when there were visitors – you sat and listened – you didn’t interject or say anything – self was extremely shy – when self first started SINGING – self would gulp in the middle of words from being so nervous – self would say now to a student who was the same – “you’re not extending your vowel” – no one told self that
09:05 Self decided earlier in life had to develop own TEACHING METHOD – had to be own person and prove self was a teacher in own right – become an individual - had not been encouraged to be confident within self – wasn’t given much praise – self gives a lot of praise
10:28 Self reflects – a lot of it is the SCOTTISH thing – SCOTTISH people are conservative – you’re not meant to be any better than anybody else – TALL POPPY – self has never elevated self above people – everyone is equal
11:23 Interviewer: You’re a tall poppy
11:30 Self gets great feedback from STUDENTS and EX-STUDENTS – self is learning all the time
12:28 It was a great challenge to take all the PIANO EXAMS – four hours of practice a day – two hours a day from 5 o’clock in the morning – and two hours later in the day – did that for three or four years to get the PIANO DIPLOMAS
13:30 Interviewer comments: From a shy person you have become a very confident person, confident enough to lead other women. Many women in your generation have not got that confidence.
14:01 Suppression as a young person could have been a contributing factor – not given a lot of confidence as a child even at age 17 or 18
14:58 Interviewer askes how they were affected by the GREAT DEPRESSION
15:00 TRACK ENDS
TRACK 7
00:00 Self was not really affected by the GREAT DEPRESSION or WORLD WAR II – family lived well – when family moved to INVERCARGILL – paternal GRANDFATHER was on his own – family bought a beautiful two-storey home – large enough for them all – and for a MUSIC STUDIO as well
00:59 Describes the property – a quarter of the half acre property was the home – another quarter was the vegetable garden – grandfather was a wonderful gardener
01:18 Details grandfather’s routine – every morning after breakfast grandfather would do the dishes – then out to the vegetable garden – then come in for morning tea and for lunch family had midday dinner – grandfather would do the dishes – then go upstairs shower and change – in summer he would go off to BOWLS with friends – it was a lovely atmosphere grandfather SIMPSON was a lovely man – three grandparents that self was close to - were a great example to self of home life – very fond memories of them
02:21 Comments on the FUTURE of MUSIC in SOUTHLAND – self sees MUSIC developing in a different way to when self was young - with SINGING there are not the people interested in learning CLASSICAL MUSIC – finds this sad – “they don’t want to do EXAMS” – haven’t got the MUSICAL SKILLS to do the exams – expensive fees to sit exams – to sit a FELLOWSHIP is $1500 to enter – self and students enjoy doing ANDREW LLOYD WEBBER MUSIC - three students mentioned earlier do a lot of CLASSICAL MUSIC and singing in languages – perform in CONCERTS at the WINDSOR CLUB – “other than that in the CONCERT SOUTH where do you sing that type of music” – unfortunately a lot of the young people are into singers like LORDE – doesn’t understand it – “young people want to get up and just yell into a microphone”
04:19 This is the same in the schools as well – self has been into schools playing for their EXAMS – self ACCOMPANIES the class – self’s student might be the only one singing a CLASSICAL solo
04:39 There are wonderful BRASS BANDS in SOUTHLAND – SOUTHLAND GIRLS HIGH and JAMES HARGEST COLLEGE – most of the secondary schools have strong MUSIC areas – SOUTHLAND GIRLS HIGH have a very good CHOIR – have been invited to SING up in AUCKLAND took part in the BIG SING – VERDON COLLEGE has very good CHOIR – A CAPPELLA CHOIR does very good concerts – there is the odd good thing – but not what it was in self’s day – “because our music teachers are diminishing” – no young ones coming on – only REBECCA RYAN teaching singing – there are three teachers including self around same age still teaching – not any great numbers just a few pupils – the scene isn’t what it was
06:18 The UNIVERSITY CENTRES have the crème of students – we lose all our good STUDENTS to UNIVERSITY – self has mature students that are constantly improving – self feels very blessed to have this talent and can use it to help people
06:56 Interview ends
Dates
- 2021
Conditions Governing Access
For access please contact the Southland Oral History Project Coordinator at sohp@ilibrary.co.nz.
Conditions Governing Use
The contents of Southland Oral History Project collections are subject to the conditions of the Copyright Act 1994. Please note that in accordance with agreements held with interviewees additional conditions regarding the reproduction [copying] and use of items in the Southland Oral History Project collections may apply. Please contact the Southland Oral History Project Coordinator for further information at sohp@ilibrary.co.nz.
Extent
From the Record Group: 1 folder(s)
Language of Materials
From the Record Group: English
Creator
- From the Record Group: Poplur, Gill (Interviewer, Person)
Repository Details
Part of the Southland Oral History Project Repository